YouTube investigates automatic deletion of comments criticising China Communist party | Technology – Blog – 10 minute

YouTube is investigating the apparently automatic removal of comments critical of the Chinese Communist party amid complaints of censorship.
The company said the filtering appeared to be “an error” amid a greater reliance on automated systems during the coronavirus pandemic because its human reviewers have been sent home.
The inquiry was sparked by media reports on complaints from technology entrepreneur Palmer Luckey. Other Twitter users responded to Luckey’s tweet that they, too, believed comments about the Communist party had been removed.
Luckey, a founder of the virtual reality group Oculus who is now works for a defence tech firm, tweeted: “YouTube has deleted every comment I ever made about the Wumao, an internet propaganda division of the Chinese Communist party,” and suggested the filtering appeared to be a new policy of censorship.

The comments attracted the attention of Republican Senator Ted Cruz, who called the matter “very disturbing”.
“Why is Google/YouTube censoring Americans on behalf of the CCP? This is WRONG,” Cruz tweeted. “Big Tech is drunk with power. The Sherman Act prohibits abusing monopoly power. DOJ (Department of Justice) needs to stop this NOW.”
Cruz appeared to be referring to unsubstantiated comments from the White House that large tech firms are biased against conservatives and should be hit for antitrust violations.
YouTube, which is owned by Google, said in a statement it had made no policy changes and that its filters were designed to remove only “spammy, hateful or harassing comments” from the platform.
“This appears to be an error in our enforcement systems and we are investigating,” a YouTube spokesperson said of the complaints. “Users can report suspected issues to troubleshoot errors and help us make product improvements.”
YouTube said in March it expected to see more content removal as a result of its reliance on machine learning instead of human moderators.

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Puzzled men solving sudoku become YouTube sensation | Technology – Blog – 10 minute

When Simon Anthony quit his lucrative but miserable job at a London investment bank to solve sudoku puzzles on YouTube, it looked like a bit of a leap. His early posts had done well to gain 100 views. Perhaps he had overestimated the demand for long videos of a 46-year-old man putting numbers in a grid from his spare room in Surrey.
A year later, Anthony is one half of an unlikely viral sensation: Cracking the Cryptic, the channel he runs with his old friend Mark Goodliffe, has become a lockdown fixture for millions. Much to the puzzlement of both men, they have turned sudoku into what right now might be the world’s most popular spectator sport.
“It’s amazing when a video goes viral because it just goes everywhere,” Anthony says from his home in Reigate. The channel he launched three years ago has taken off in the past few weeks, attracting more than 200,000 rapt subscribers and almost 30m views. “It’s just very, very surreal,” he adds.
Anthony’s latest hit is The Miracle Sudoku, a strangely compelling 25-minute video in which he takes on a seemingly impossible grid. In each video, a live view of the puzzle fills the left half of the screen, next to a webcam view of Anthony or Goodliffe, who commentate on their attempts to solve it.

“You’ve got to be joking,” Anthony says as he considers a grid that contains only two given numbers. As well as the normal rules (each row, column and block of little squares must contain the numbers one to nine) this puzzle contains a series of constraints. Adjacent cells can’t contain consecutive digits, for example.
At first Anthony thinks the compiler must be trolling him. Then slowly he begins to add numbers to the screen. When, 10 minutes in, he finds a place for all the ones and twos, Anthony dares to dream. “This is just staggering,” he says as the threes then fall into place, never departing from a soothing Home Counties monotone. “We are watching magic unfold here.”
Soon it becomes clear that Anthony is going to solve the puzzle. “I’m not sure I’ve got the adjectives to describe what is going on here,” he says as numbers pour into the grid like rain on a desert. “It’s like the universe is singing to us.”

Simon Anthony solves the ‘miracle’ sudoku. Photograph: YouTube
That excitement swept across the web this week, particularly in America, home to 27% of Anthony’s audience. “I swear to God, this 25-minute video of a guy doing a Sudoku puzzle is the most riveting television I’ve seen all year,” tweeted Dana Schwartz, a 27-year-old Los Angeles-based author and screenwriter not hitherto known to the English puzzling community. The Guardian’s resident mathematician and puzzle master, Alex Bellos, also highlighted the channel and set the “miracle” puzzle for his devotees, noting: “What makes the videos so joyous is the constant stream of ‘aha!’ moments.”
Demand had already surged in lockdown. Anthony launched the channel in June 2017 but with its spare-room scenery, low-fi design and split-screen webcam format, it looks like it was made for this moment. Anthony suspects something else is happening. “We’re getting an awful lot of emails saying we’re helping people with their mental health,” he says. “There seems to be a sort of ASMR-type quality to the videos.”
Before the “miracle” post, the big breakthrough came last month when Anthony put up another 25-minute video. It elicited phrases such as “good grief!” and “that’s quite startling, it really is”, but didn’t really stand out. Anthony has watched it race towards 4 million views. “It’s just bonkers,” he says, still baffled. “We focus all our time on solving puzzles but the YouTube algorithm is one that we have not cracked.”
Tweets poured in from maths royalty. Simon Singh, the writer, Rachel Riley of Countdown fame and Bobby Seagull, the teacher and University Challenge star, are all fans. But fame has gone quickly mainstream – and global.
“I’ve officially unlocked a new level of boredom… currently watching videos of a man solving sudoku puzzles,” James Charles, a 20-year-old millionaire American makeup artist with 19 million YouTube subscribers and 2bn views, tweeted last month. He had been binge watching the channel for days. “The videos are SO interesting but also help me relax!” he told his 5.5 million Twitter followers. “WTF IM LEGIT WATCHING HIM RN,” one replied.
Anthony and Goodliffe, who is 53 and lives in Gloucestershire, have now increased output to two daily videos and receive dozens of submissions a day from sudoku constructors. They have launched three apps and a range of merchandise.
Anthony, who has two young children, does not regret quitting his City job. “I only did it for one reason and was constantly aware I was working my youth away,” he says. He left with some savings and a notion that money from YouTube ads might then pay the bills. His income is still lower than it was – but it’s now climbing fast.
Anthony met Goodliffe at a crossword championships 20 years ago, before the sudoku boom of 2005. Puzzling then was exclusively a pencil affair and newspapers were the only outlet. “Now there is a way to reach these vast audiences from a loft in Reigate. It’s…” For the second time this month, Anthony struggles to find the adjectives.

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YouTube Supports New Optimisation Mode for the Samsung Galaxy Z Flip | Tempemail – Blog – 10 minute

Samsung and Google have reached a new level in their collaborative efforts to bring a fresh user experience design that fits the innovative form factor of the Galaxy Z Flip.
Samsung says that with the Galaxy Z Flip’s unique folding system, users can set the device on any surface and watch their favourite YouTube channel hands-free. And now, this hands-free experience is taken up to the next level with Flex-mode compatibility.
YouTube’s Flex-mode optimised app ensures that videos can be adjusted to fit in the top half of the screen. The bottom screen can then be used to search for other videos, read descriptions and write comments.
According to Samsung, Galaxy users can get up to 4 months of free YouTube Premium and enjoy benefits such as ad-free viewing, offline play and background play.
“For the past 10 years, the Samsung-Google partnership has been the driving force behind so many of this industry’s most important innovations,” said Justin Hume, Director of Integrated Mobility at Samsung South Africa.
“Now, as we start a new decade, our partnership is more important than ever, as we work together to pioneer a new generation of breakthrough mobile experiences.”

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What the death of Double Rainbow Guy tells us about the evolution of YouTube- Tempemail – Blog – 10 minute

The death of Paul “Bear” Vasquez at the age of 57 won’t make many news headlines outside of Modesto, California, where he lived. But for a generation of digitally-literate individuals, his death – if they hear about it – will be mourned with regret.
To them, Vasquez is better known by the moniker he earned from a three-and-a-half minute video he uploaded to YouTube in January 2010 entitled “Yosemitebear Mountain Double Rainbow 1-8-10”. Vasquez had encountered a double rainbow stretching out over Yosemite mountain, and picked up his camcorder to film it. His narration – exasperated gasps, repeatedly saying, “It’s a double rainbow, all the way – woah”, before almost breaking down into tears was an early internet hit. It was seen by more than 45 million people on YouTube at a time when those numbers were unfathomable for a video sharing site that was only five years old.
Vasquez’s video was hailed by late night TV host Jimmy Kimmel as the “funniest video in the world”, and Kevin Allocca, YouTube’s head of culture and trends, said it was emblematic of “a new era of creativity, one driven by people like Bear who have something they want to share with us and people… who want to join in those experiences and create new ones of their own.”

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Ten years on, Allocca’s dream of YouTube – and the sheer happiness and happenstance of early viral video success – has died alongside Vasquez. Now a 15-year-old media platform, and one that earns $15 billion in advertising revenue a year to boot, YouTube is a world away from the site embodied in Vasquez’s enchanted cries.
It’s a site where some of the earliest hits – from Charlie bit my finger or David DeVore, the seven year old whose lucid, drug-addled ponderings about life after a dentist’s appointment were shared around the world, to Antoine Dodson, whose vivid description of a crime was remixed into a song – would have little chance of surviving now.

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YouTube has gone from a repository of quirky videos – a kind of dumping ground for the internet’s weirdest memes – to a fully-fledged business. Its stars are celebrities, and its reach is great enough that Hollywood stars such as Will Smith join it for a piece of the action. It’s a distributed, decentralised version of Netflix, where industrialised production takes precedent, and odd individuality is hammered out by reversion to the (often boring) mean.
Today, YouTube is bigger than ever, and in many ways the content it hosts is better than ever, too. Rather than oddball skits or home videos that accidentally go viral because of their complete insanity, you can log on to the platform and watch high-budget documentaries and entertainment, all for free. But for those who are logging on for the first time today, they’re missing the essence of what got YouTube to its position of power, and what those of us who saw its rise value most – the sheer kaleidoscopic wonder of being able to see all of humanity, with all its foibles and faults, through a windowed video screen.
Now, YouTube’s biggest names are often backed by corporations, or in the case of T-Series, the most subscribed-to channel in the world, they are literally a business themselves. Entire teams workshop and brainstorm ideas for videos that are engineered to go viral. Viewers still encounter entertainment, but it comes with the slightly sticky sheen of corporate interests. It’s for that reason that the death of Bear Vasquez hits harder for many: we’re not just mourning his loss, but the loss of what he represents, too.

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YouTube deletes conspiracy theorist David Icke’s channel | Media- Tempemail – Blog – 10 minute

YouTube has deleted conspiracy theorist David Icke’s account.
The video-sharing site said the 68-year-old violated its policies on sharing information about coronavirus.
The former footballer has made controversial unproven claims about the virus on several internet platforms, including one that it is linked to the 5G mobile network.
The video service, which is owned by Google, told the BBC: “YouTube has clear policies prohibiting any content that disputes the existence and transmission of Covid-19 as described by the WHO and the NHS.
“Due to continued violation of these policies we have terminated David Icke’s YouTube channel.”
The ban follows a similar move by Facebook, which removed Icke’s page on Friday.

Well-known medics and broadcasters including Dr Christian Jessen and former junior doctor Adam Kay have called on social networks to remove Icke from their platforms.
They are backed by the Centre for Countering Digital Hate (CCDH), which claims Icke’s conspiracies over Covid-19 have been viewed more than 30m times.
“We commend YouTube on bowing to pressure and taking action on David Icke’s channel,” said CCDH’s chief executive Imran Ahmed. “However, there remains a network of channels and shadowy amplifiers, who promote Mr Icke’s content [and] need to be removed.”
The CCDH asked for other networks to follow the lead, and added: “It is time for Instagram and Twitter to follow Facebook and YouTube by acting to remove Icke and his content from their platforms.
“Lies cost lives in a global pandemic, and their failure to act promptly puts us all at risk.”

Callout
callout-coronavirus

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YouTube expands fact-check feature to US during coronavirus pandemic – Strategy- Tempemail – Blog – 10 minute

YouTube on Tuesday said it would start showing text and links from third-party fact-checkers to US viewers, part of efforts to curb misinformation on the site during the COVID-19 pandemic.
The information panels, launched in Brazil and India last year, will highlight third-party, fact-checked articles above search results for topics such as “covid and ibuprofen” or false claims like “COVID-19 is a bio-weapon,” as well as specific searches such as “did a tornado hit Los Angeles.”
Social media sites including Facebook and Twitter are under pressure to combat misinformation relating to the pandemic caused by the new coronavirus, from false cures to conspiracy theories.
YouTube said in a blog post that more than a dozen US publishers are participating in its fact-checking network, including FactCheck.org, PolitiFact and The Washington Post Fact Checker.
The company said it could not share a full list of fact-checking partners.
In 2018, YouTube started using information panels that surfaced links to sources such as Encyclopedia Britannica and Wikipedia for topics considered prone to misinformation, such as “flat earth” theories.
But it said in Tuesday’s blog post that the panels would now help address misinformation in a fast-moving news cycle.
The site has also recently started linking to the World Health Organization, Centers for Disease Control and Prevention or local health authorities for videos and searches related to COVID-19.
YouTube did not specify in the blog post how many search terms would prompt the fact-check boxes. It said it would “take some time for our systems to fully ramp up” as it rolls out the fact-checking feature.
The feature will only appear on searches, though the company has previously said that its recommendation feature, which encourages people to watch videos similar to those that they have spent significant time viewing in the past, drives the majority of overall “watch time.”
In January, YouTube said that it had started reducing recommendations of borderline content or videos that could misinform users in harmful ways, such as “videos promoting a phony miracle cure for a serious illness.”
Major social media companies, which have emptied their offices during the pandemic, have warned that their content moderation could be affected by relying on more automated software.
In March, Google said this could cause a jump in videos being erroneously removed for policy violations.

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The most-viewed YouTube videos ever- Tempemail – Blog – 10 minute

YouTube has come a long way since its first-ever video, “Me at the zoo,” was uploaded 15 years ago, transforming into an outlet for news, entertaining videos, music and a variety of other cultural phenomenons.
While it may not have been the intention of the three YouTube founders to make the site for the purpose of sharing music, in its last 15 years, the social media platform has emerged as a launchpad for music videos – which now make up the majority of its most-viewed clips.
In the past 15 years, there have been numerous videos to reach the 1bn-views mark, but only a handful have surpassed the achievement to reach 3bn and so on.

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From Gangnam Style to the Baby Shark Dance, these are the 10 most-viewed YouTube videos ever.
10. Katy Perry – Roar (3.05bn views)

Perry released Roar on 18 October 2013 as part of her Prism album. Upon the song’s release, it became Perry’s eighth number one song on the US Hot 100 list.
In July 2015, two years after the jungle-themed music video for the song was released, Roar reached 1bn views on YouTube, making Perry the first artist to have two music videos exceed that milestone.
9. Maroon 5 – Sugar (3.17bn views)

Sugar was released as a single on 13 January 2015. Despite never reaching first place on the Hot 100 list – it only managed to reach number two – it accumulated 3bn plays on YouTube in just over four years.
8. Justin Bieber – Sorry (3.27bn views)

It’s no surprise that Bieber is on the list with his song Sorry, released on 23 October 2015 as part of his fourth studio album.
When it was released, the song topped the charts of 13 countries, including Bieber’s native Canada and the US.
7. PSY- Gangnam Style (3.58bn views)

When Gangnam Style was released on 15 July 2012 it became a cultural phenomenon, eventually becoming the first YouTube video to be viewed more than 1bn times.
Considering the video managed to reach that achievement within six months of its release, it’s no wonder that it has managed to retain its spot in the top 10 eight years later.

6. Mark Ronson – Uptown Funk ft Bruno Mars (3.82bn views)

Released on 10 November 2014, Uptown Funk topped the Hot 100 list for 14 weeks and broke several streaming records – including its own streaming record three times in the United Kingdom.

5. Masha and the Bear – “Recipe for Disaster” (4.26bn views)

“Recipe for Disaster” is an episode of Russian children’s show Masha and the Bear, and the only entry on the list that is not music-oriented.
The show, which is made with CGI, is immensely popular on YouTube, where numerous episodes have been viewed millions of times.
4. Wiz Khalifa – See You Again ft Charlie Puth (4.51bn views)

See You Again became YouTube’s second video to pass the 2bn view mark and is one of only five videos viewed more than 4bn times.

Between 10 July and 4 August 2017, the video was the highest-viewed video on YouTube, after it eclipsed Gangnam Style.
While the song was popular in its own right, its tie-in with the Fast and the Furious movie Furious 7 likely had to do with its high view count.
3. Ed Sheeran – Shape of You (4.73bn views)

Shape of You was popular immediately after it was released, peaking at number one on the singles charts of 34 countries, including the Hot 100. It later became the best performing song of 2017 and the second-fastest YouTube video to reach 2bn and 3bn views.

2. Pinkfong – Baby Shark Dance (5.15bn views)

The Baby Shark Dance may be considered a music video, but it does differ from its counterparts on the list as it is both animated and for children.
The educational video was created by Pinkfong, a Korean-based YouTube channel for kids that creates videos of sing-along songs and dances, and found immense fame in 2018 when it went viral.
Variations of the video have accumulated millions of views as well.
1. Luis Fonsi – Despacito ft Daddy Yankee (6.72bn views)

The most-viewed video on YouTube is none other than the 2017 hit Despacito by Puerto Rican artists Luis Fonsi and Daddy Yankee.
Interestingly, the song, which is almost entirely in Spanish, was YouTube’s first-ever video to reach more than 4bn, 5bn and 6bn views.

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Ripple sues YouTube over cryptocurrency scams – Finance- Tempemail – Blog – 10 minute

Blockchain firm Ripple sued YouTube on Tuesday, alleging the video-sharing platform failed to protect consumers from cryptocurrency “giveaway” scams that use fake social media profiles to dupe victims into sending money.
The company says scammers on YouTube have been impersonating Ripple and its CEO, Brad Garlinghouse, to bait viewers into sending thousands of dollars worth of XRP, a cryptocurrency championed by Ripple, according to a court filing.
The scammers promise to send back up to 5 million XRP, worth nearly US$1 million, but victims who participate in the fake “giveaways” never receive any money in return, said the filing.
The lawsuit appears poised to raise a fresh challenge around the controversial Section 230 of the Communications Decency Act, which shields Google, Facebook and other internet companies from liability for material that users post on their platforms.
Regulators in Washington are reconsidering the need for the law’s broad immunity, which helped US tech companies grow but is viewed increasingly as a shelter enabling some of the world’s richest companies to avoid investments to curb crime, extremism and misinformation online.
“For every scam, giveaway, fake conspiracy that is taken down, multiple more pop up nearly immediately,” Ripple said in a blog post. “YouTube and other big technology and social media platforms must be held accountable for not implementing sufficient processes for fighting these scams.”
Garlinghouse, a long-time Silicon Valley executive, said he wants the case to be a “call to action” for the social media industry, arguing the law was written “at a time when we didn’t understand how these platforms could be abused.”
He said he had seen similar impersonations on platforms including Facebook’s photo-sharing app Instagram, but targeted YouTube in the lawsuit because it was the “slowest to respond and least proactive.”
YouTube spokesman Alex Joseph said the company takes abuse of the platform seriously and acts “quickly when we detect violations of our policies, such as scams or impersonation.”
Founded in 2012, Ripple is one of the best known companies that develop so-called blockchain technology, or the system underpinning cryptocurrencies. The company develops blockchain systems to help financial services firms carry out cross-border payments using XRP.
Its filing, in the US District Court for the Northern District of California, says YouTube’s failure to address the “pervasive and injurious fraud” has harmed the reputation of both Ripple and Garlinghouse.
Ripple said millions of people have viewed the scams on YouTube, which enabled the fraud to proliferate by ignoring its demands for the videos to be taken down and continuing to sell ads to the scammers.
YouTube also awarded a “verification badge” to a hacked channel displaying a photo of Garlinghouse as its profile picture, falsely indicating to viewers that the account was legitimate, the filing said.

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Facebook Launches Dedicated Game-Streaming App to Take on Twitch and YouTube | Tempemail – Blog – 10 minute

Sourced from Dialogue Pakistan

Facebook wants a piece of the game-streaming pie, adding a new dedicated mobile gaming app into the mix with already existing platforms from Twitch and Youtube.
Facebook’s gaming app will largely curate and focus on the streaming community, writes the New York Times. The app will also highlight casual games that people might play online already, including Words With Friends.
The app is set for debut today, 20 April, and will reportedly only be available for Android first. Apple, who is famously strict on the apps they allow on their platform, has yet to approve their version of Facebook’s app.

As Facebook’s Gaming is on a steady growth trend, and the worldwide increase in viewership and streaming as a whole while people are self-isolating, the social network feels like now is the perfect time to launch the app. The app was originally supposed to launch in June, but Facebook moved the launch up to meet current demands.
“Investing in gaming, in general, has become a priority for us because we see gaming as a form of entertainment that really connects people,” Fidji Simo, head of the Facebook app, told the New York Times. “It’s entertainment that’s not just a form of passive consumption but entertainment that is interactive and brings people together.”
Heavily investing in gaming for years, Facebook has been trying to build up its streaming community by partnering with different creators and has even begun hosting esports tournaments. Despite Facebook’s large user base – more than 2.5 billion people use Facebook every month – it still can’t touch Twitch and YouTube (owned by Amazon and Google, respectively) when it comes down to hours of gaming watched.
However, Facebook Gaming is growing – seeing a 210% increase in hours watched between December 2018 and December 2019, according to a report from streaming software company StreamElements, which conducts regular reports on the streaming industry with analytics partner Arsenal.gg.
“Facebook Gaming has been making incredible strides as they’ve leveraged their global presence and strategic talent acquisitions to bolster their market share in the live streaming space,” Doron Nir, CEO of StreamElements, says in a statement to The Verge when Rousey’s partnership was announced in February.
“By adding Ronda Rousey, a very mainstream celebrity whose into gaming, to their roster, it’s another great move since content is king, but you need a kingdom to make it matter.”
Twitch and YouTube still maintain their place at the summit of game streaming though. Twitch commanded 61% of all hours watched in December 2019, with YouTube pulling up the rear with 28% of the market. Microsoft’s Mixer remains in fourth place, with just under 3% of all hours spent watching livestreams.
Facebook is hoping that its new set of tools will set it apart from its competition, chipping away at Twitch and YouTube’s dominance. At the forefront of these tools, is the “Go Live” button. Which “lets users upload streams of other mobile games on the same device by pressing just a few buttons.”
Once people go live, streams will appear on their personal page, making it easier for friends and followers to watch. Facebook is also using a system called “Level Up” to allow creators to monetize, similar to Twitch’s affiliate status and YouTube’s Partner Program.
“People are watching streams and they’re like, ‘I want to be a streamer,’ and with Go Live it’s literally just a few clicks and then live, you’re a streamer,” Vivek Sharma, Facebook’s VP for gaming, told the Times.
Facebook is clearly hoping that it can meet the increased demand with a brand new project that people latch onto.
Edited by Luis Monzon
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Google India launches learning platform on YouTube- Tempemail – Blog – 10 minute

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Google India has launched ‘YouTube Learning Destination’ to help student, teachers and parents find useful and high-quality learning content created by education-focused creators on YouTube.
It features content in English and Hindi, with Tamil, Telugu, Bengali and Marathi and other Indian languages are coming soon, the company said in a blog post.
“To help ease the transition to remote learning during this situation, we have also rolled out free access to the premium features of Google Meet, to extend enterprise-grade video-conferencing capabilities to all G Suite and G Suite for education customers, globally, until September, which enables up to 250 participants in a single video conference,” said Bani Dhawan Head of Education, India and South Asia, Google.
In India, Google has collaborated with FICCI Arise and have so far trained over 250 schools across 23 states in the use of these tools.
Google India has also provided training and tips through the ‘Teach from Home’ hub, which is also available in Hindi.
“We’ve built this resource with UNESCO as a central resource for teachers. We have also launched a global educational hub comprising a collection of resources that help get started with remote teaching, to help educators ramp up quickly, while home isolation and social distancing norms are imposed to prevent the spread of COVID-19,” the company said.
Google India has released children’s books from the Ministry of Health and Family Welfare (MoHFW) and Chota Bheem on their reading app Bolo to help kids understand the safety measures to be taken during this COVID-19 outbreak.

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