Share content collections with selected users. Leave notes to streamline content planning. – Blog – 10 minute

Share Content Collections With Selected Users and Leave Asset-Level Notes
79% of marketers believe that content-led marketing campaigns will continue to grow over the next two years (World Media Group Research, 2019). Socialbakers’ Content Hub helps brands take data-driven content planning to a whole new level. It’s a central place for organized and integrated campaign planning. And with Content Collections, all stakeholders can easily save, share, and discuss inspiring pieces of content.
Share Content Collections With Specific Users
Brands publishing a lot of content eventually face the same challenge: how to share content with the right people at the right time? To support smaller group work and to reduce the clutter when creating content with specific teams, external agencies, or regional markets and franchises, you can now share Collections with selected users. 
Sharing a Collection with specific users is straightforward: choose a Collection, select → Share, and click on Specific Users. You can then search for and give selected users access to this Collection. Once invited, users are notified straight in the platform or via Tempemail, depending on their notification settings. In case you need to check who is part of a Collection, hover over the images to see the names of all users that can access this Collection. And the best: Content Collections support flexible ways of working! That means you can change back and forth between private, global, and specific user access, and users can leave Collections from their side at any time.

Leave Notes on Asset Level to Streamline Content Planning Across Teams
Also, it’s now possible to leave notes for specific assets! Adding notes can be convenient for brands working with larger teams or agencies: you can write asset descriptions, specify instructions for teams that reuse the assets in Publisher, or add any other relevant information about the content assets. 

Notes can be up to 1,000 characters long and can be added in three ways:

When saving a content piece from Content Hub, type the note to the Add a Note field.
When uploading assets from a local drive or cloud-shared assets, a pop-up window prompts you to leave a note for all uploaded assets.
Notes for existing assets can be viewed, added, and edited by clicking into an asset, and entering a text into the Notes field.

With streamlined communication, it’s easy for brands to break through the content bottleneck, scale content creation, and stay on top of the process at all times.
Engagement Rate in Flexible Widgets – Track What Resonates With the Community
Brands today are swimming in a sea of social media data. While vanity metrics such as shares, page views, and retweets are easily measured, they can be misleading. Actionable metrics, on the other hand, help to go beyond the surface level and analyze the bottom-line business impact of your actions. 
One of the most popular ways to get actionable performance insights is to measure engagement metrics. Measuring engagement helps track how audiences are interacting with your content. While engagement is an umbrella term for various different metrics, looking at just one might not provide all the information needed to make a strategic decision. Instead, you might want to look at a combination of metrics. That’s why we’ve now added one additional engagement metrics to the existing Interactions and Interactions per 1K Follower metrics: Engagement Rate!
Engagement Rate is available as a Flexible Widget that visualizes the number of Interactions of a post per Fan. Like with other Flexible Widgets, you can easily filter by what matters to you, and break the analysis down by various options. Add Engagement Rate to Dashboard now and understand which content truly resonates with your audience, what’s just “meh”, and what’s ripe for improvement! 

Learn more about how Engagement Rate is measured in Socialbakers.

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Daytime TV notes self-isolation spike amid coronavirus pandemic- Tempemail – Blog – 10 minute

US daytime television is witnessing a resurgence as self-isolating Americans turn to formats such as Ellen, Access Hollywood and The Talk to tide them through the coronavirus pandemic.
The rapid and dramatic shift in viewer behaviour is recorded by Samba TV, which registered a 16% jump in daytime viewing on Monday versus the week prior, the first full weekday since the imposition of strict social distancing measures.
Massive audience spikes’ were noted to dovetail with the broadcast of news bulletins documenting the evolution of the crisis with CNN proving to be the main beneficiary among cable news networks, with viewership jumping 80%.
A similar picture was found at rival networks with Fox News, MSNBC and Fox Business all registering double-digit growth of 42, 28 and 20% respectively. Family-oriented programming was also a big draw with TeenNick viewers leaping 171% while DisneyXD, Nicktoons and Nick Jnr saw more modest gains of 68,66 and 32% respectively.
Dr. Jeffrey Silverman, director, data science & analytics, Samba TV said: “We are already seeing double-digit increases in overall time spent watching television in addition to large scale growth in the consumption of news and children’s programming which we expect will continue in the weeks ahead as the television increasingly becomes our window into the world of breaking news, elections, educational resources and comforting entertainment.”
Shifting viewer habits are expected to feed through into changes to network programming schedules over the coming months – with knock on effects for advertisers wishing to shift their primetime focus to engage these new audiences.
Impacts are already being felt on the other side of the pond, and not in a good way, with broadcasters warning that the pandemic will blow a sizeable hole in projected ad revenues as travel brands and other sectors slash spending.
Samba ‘s analysis is based on a proprietary measurement panel consisting of millions of US households and 190 separate networks.

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6 Better Evernote Alternatives For Taking Notes – Blog – 10 minute

Evernote has long been a favorite with office workers and students, thanks to built-in note-taking and task management features, along with a generous free plan that allowed note sharing across platforms. Unfortunately, Evernote has a poor free plan, device and upload limits, and has suffered numerous data breaches in recent years.
While Evernote is certainly one of the most well-known productivity apps, it isn’t the only option for users who need to stay organized. If you’re tired of Evernote, you have other options, so here are six of the better Evernote alternatives for you to consider.

If you’re looking for a quick and free Evernote alternative for note-taking abilities, start with Google Keep, free for all Google account users. While it can easily replace Evernote as a location to store quick thoughts and ideas, it does lack some of Evernote’s premium features.
That doesn’t mean Google Keep isn’t a good alternative, however. With Android and iOS apps and a Chrome extension, you can access, edit and add new notes to your Keep storage across multiple platforms. You can also access Keep from within Google Docs apps like Slides, letting you import images and text notes with ease.

You can also collaborate on notes with Google Keep, allowing you to share your ideas with other users. If you want to use Google Keep to organize your life, you can set reminders, alerting you with the contents of your note when needed.
Google Keep has no storage limit, allowing you to save as many notes as you like.
Unlike Google Keep’s simplistic, post-it note style approach, Microsoft OneNote is a more serious competitor to Evernote. OneNote is free to use, with desktop and Windows 10 UWP apps available.
OneNote separates your thoughts into individual notebooks, where you can save images, text, links, and more. The Web Clipper extension for Chrome lets you save information from the web, while mobile apps allow you to take pictures in the real world, with OCR features that convert images to text in your OneNote notebooks.

OneNote works well with other Office apps, allowing you to insert Excel formulae into a OneNote notebook, for instance. You can also integrate other services, like IFTTT for automation, with OneNote.
If OneNote is for you, you can take advantage of Microsoft’s Evernote to OneNote convertor to move your existing notes across.
Services like Evernote and OneNote focus on bringing together all forms of note-taking, including images and video content. The aptly-named Simplenote has turned this approach on its head, offering a much simpler Evernote alternative.
Simplenote is text-only—that means no images or video. That might not appeal to everybody, but the service also offers collaboration with other users, as well as the ability to publish your notes publicly on the web. You can revert changes to your notes, as well as format them using Markdown.

Simplenote is available on all major platforms including Windows, macOS, and Linux. Mobile support is included, too, with apps for Android and iOS. There’s also a web-based service, allowing you to access your Simplenote notes on the web.
As we’ve mentioned, this isn’t a service for everyone, but with cross-platform support and easy-to-use collaboration features, Simplenote could be the Evernote alternative you’re looking for.
Zoho Notebook is one of the more appealing cross-platform Evernote alternative. With Android and iOS apps, and support on all major operating systems, Zoho Notebook can be easily customized to suit your needs the most.
You can format your notebooks with appealing front covers, use a Google Keep-like card system with color-coded categories to organize your notes, as well as take advantage of a powerful tagging system to be able to easily search through your notes.

Zoho Notebook offers increased security, with Touch ID support on iOS, as well as passcodes on other devices. Like Simplenote, Zoho Notebook allows you to revert notes back to an older version, should you need to.
You can also integrate Zoho Notebook with other services like Zapier and Gmail, as well as with other Zoho products.
As you might expect from one of the biggest cloud service providers, Dropbox Paper is a cross-platform service that can almost do it all. It has more advanced formatting features than some of its competitors, with the ability to create notes that contain tables and images.
You can import content from other sources, like YouTube, Spotify, and Instagram. Collaboration with other users is encouraged, too, with options to allow other users to view and edit your Dropbox Paper notes. It offers all of this in a very simple-to-use interface, with your other Dropbox content easily accessible in the left-hand menu.

Dropbox Paper documents can be designed to suit your needs. For instance, if you’re organizing a project, you could insert a timeline into your notes. You can also code in Dropbox, with Dropbox Paper automatically converting the formatting to match your chosen programming language.
You’ll need a Dropbox account to be able to use Dropbox Paper, as it uses your Dropbox storage allowance to store your notes. Free Dropbox Paper users can take advantage of 2GB of storage, but you can upgrade if you need more.
While this is a macOS and iOS only option, Apple Notes is a good contender to be the best Evernote alternative for Apple device owners. It’s a core app, so you should be able to find it on your Apple devices automatically.
Simple is the name of the Apple Notes game, with basic formatting options for text, as well as the ability to sort information into tables. You can also use Notes to store images, as well as scan documents or sketches using your iOS devices. 

Notes are stored in individual folders, but if you can’t find what you’re looking for, you can search through past notes using the search bar. If you want to secure your notes, you can add a password to prevent anyone else from reading them.
As we’ve mentioned, Apple Notes is primarily for Apple users. If you’re on Windows and Linux, you can access your Apple Notes from the iCloud website, but you’d be better served by a Windows-friendly alternative like Google Keep instead.
Improving Productivity
These Evernote alternatives are a good place to start if you’re looking to improve your overall productivity but want to leave Evernote behind. Services like OneNote and Dropbox Paper can help you stay organized, keeping your thoughts and ideas in one place. 
You can go even further, with productivity apps for mobile to keep working while you’re on the move. If you’re spending too much time browsing the web, consider using some of the best Chrome extensions for productivity to stay focused, too.

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Musical notes: Justin Bieber’s TikTok-friendly Yummy is too eager to go viral | Music- Tempemail – Blog – 10 minute

Pop and rock music, in its multifarious forms, seems to shift faster than ever. In 2020, we’re bombarded not just with music – more of which is readily available to everyone than at any point in history – but an unrelenting barrage of the stuff that goes along with music: visuals, scenes, theories, arguments, counter-arguments and controversies both real and manufactured. It can feel overwhelming, impossible for even the most plugged-in, social media-literate listener to keep up with. No matter how much of the waterfront you try to cover, it’s hard to rid yourself of the nagging sensation that you might have missed out on something.
That’s as true of us in the music media as it is of any other listener. The idea behind the Guardian’s new monthly Musical Notes column is to collect a miscellany of smaller ideas, thoughts, experiences and trends about music: stuff that’s interesting, striking or telling, but doesn’t necessarily fit within the Guardian’s standard feature, review or news formats. I’ll be contributing each month along with music editors Ben Beaumont-Thomas and Laura Snapes – but we also want to include you, too. Share your thoughts, ideas and experiences about any genre of music each month in the comments section – be it a song or gig you’ve loved, a trend you’ve spotted, or indeed anything musical that piqued your interest – and we’ll publish a selection of them in the following month’s column. For now, here’s Ben and Laura to kick off the series with what they’ve been reflecting on in the first week of 2020. Alexis Petridis
Justin Bieber’s TikTok turn

Lap it up … watch the video for Justin Bieber’s Yummy
Justin Bieber’s previous album, 2015’s Purpose, was a triumphant third act: not only did it draw a line under years of juvenile delinquency (drugs, racist jokes, negligence to a pet monkey), it did so with the best songs of his career: the earnest and feathery reggaeton of Sorry, the beautiful trop-house of What Do You Mean, and Where Are Ü Now with its weird, faraway “dolphin flute”. After finding God and getting married, the stage is now set for the next Bieber story, and its opening chapter is a song called Yummy.
Released last week, there are some things to like about it – the way the melody bounces up into the lovely, yearning upper range of his voice; the opalescent chords – but there are plenty more to hate. The shameless plug for his streetwear brand Drew House; the cringeworthy use of trap ebonics (“hundred racks … get litty babe”); the sense of him being about two years behind the curve of hazy R&B, a real shame when Purpose was so trendsetting. But most of all, that chorus, which sounds like a Lonely Island parody of a pop-R&B song. Its use of baby talk to vaguely gesture at a world of sexual pleasure will make your genitals involuntarily fold up inside your abdomen.

More troubling than the vision of he and his wife cooing this at each other is the feeling that this has been written for one thing in mind: TikTok. Bieber joined the lipsyncing social network on the day of Yummy’s release, and its chorus seems designed purely for Gen Z-ers in yoga pants to spoon frozen acai into their mouths while miming along to the word “yummy”.
Hit songs such as Regard’s Ride It, Ashnikko’s Stupid, and Arizona Zervas’s Roxanne have all recently got a boost from going viral in TikTok dance or mime videos, and this is what Bieber is trying to leverage – but the crucial difference is those tracks are, respectively, more danceable, witty and tuneful. The deeper problem is that a generation grown on highly sophisticated, multilayered internet culture can detect bullshit a mile off: this is so nakedly eager to go viral that it almost certainly won’t.
Yummy will probably reach No 1 off Bieber’s sheer star power anyway. He doesn’t need the TikTok virality, but craves its pop-cultural relevance – and that desperation chafes awkwardly against the spiritually grounded marital bliss of his current image. Ben Beaumont-Thomas
RiP to my iPod

Old school … an iPod Classic. Photograph: Sarah Lee/The Guardian
I hated iPods. Certain kids at school had them the moment they were released in 2001, storing the pitiful four albums they owned on an expensive device designed to hold 1,000 songs. I was 12 and already fancied myself a serious music fan: I had at least, like, 20 albums. iPods, it was obvious, were for posers. Once I got a Saturday job, I saved up for a hardy brick called an iRiver that also held photos and a radio tuner, and wheezed like a geriatric mouse when I laboriously clicked through a music collection largely comprising Tegan and Sara bootlegs downloaded via a dial-up modem. My insistence that it was clearly the better MP3 player was undermined by the fact that absolutely nobody else had one.
As my iRiver struggled on, the iPod got sleeker, and its capacity considerably bigger. In 2007, Apple introduced a 160GB Classic model. I could no longer resist. (Plus I had left school so there was no risk of anyone saying “I told you so”.) I loved it like a pet, updating it and labelling my iTunes library obsessively. I have fond, tragic memories of listening to Mogwai’s Young Team on it as I traipsed through the rain to read Kafka in a Starbucks during my first year of university; listening to the Tempemail and feeling sorry for myself alone on a Friday night in my grotty first London house share. More happily, I took it around the world, and the increasingly scratched iPod seemed to grow with me: any time I scrolled to see if an artist I wanted to discover was on there, somehow they always were. (The reality was thanks to a uni friend letting me copy her extensive and largely pirated music library.)
As the 2010s wore on, my iPod’s packed 160GB capacity was no match for the infinite library of Spotify, which I initially tried to use only to research old albums for work. Apple retired the iPod Classic, then they nuked the headphone jack from their phones. As carrying an iPod with its wired headphones and MP3 dependence became more anachronistic, I clung to it, particularly as a form of resistance against distraction – iPod Classics don’t connect to wifi or contain apps, or stop playing when a marketer calls you. That mine still worked – albeit now very dented and prone to pausing at the faintest jolt – felt vaguely meaningful.

New moves … Spotify on smartphone. Photograph: Anadolu Agency/Getty Images
But gradually, I succumbed to Spotify creep. I got into exercise, where carrying one device, a phone, is easier than two, and wireless headphones help. (Better still if that device contains Twitter for distraction from squats.) I got into podcasts, which live on my phone. When I got an office job and started commuting, I found that my iPod and wired headphones stayed in my bag as I switched from NPR’s Fresh Air to Spotify, or the brilliant Bandcamp app, to soundtrack my train reading. I got a phone with more space and (embarrassingly) finally figured out how to put MP3s on it.
As of 2020, I’ve stopped carrying my iPod around. I feel so guilty at seeing it on the shelf, that I abandoned it before it died. It’s so feeble to think that the lightest grazes of friction pushed me away from my beloved little music machine. Though maybe it’s more than just convenience. Fifteen years ago, it seemed so thrilling to have thousands of songs in your pocket, the world at your fingertips. With time, I’ve understood that all that access generally amounts to a lot of dabbling and not much commitment. Obviously, Spotify offers the same possibility, but I keep a judicious eye on the albums I save to it, discarding duds and eventually purchasing the good ones while MP3s still exist.

My iTunes library is still intact, an MP3 monolith built on varying degrees of legitimacy that I can pluck from at any time. (You want an illicit recording of the Tempemail playing a French radio session in 2006? I got you.) I don’t want to carry it around in my pocket any more, but the slippery way that streaming companies seduce consumers into abandoning their libraries, and the equally slippery way that songs can then vanish from the world’s library (whether the internet or actual, physical warehouses) makes holding on to them, whatever the device, feel like a meaningful form of resistance. Laura Snapes

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The Note’s most impressive new feature is only available on the 10+ – gpgmail

The new Note’s 3D scanning feature got what may well have been the loudest applause line of today’s big Samsung event. It’s an impressive feature for sure, but it’s the kind with little real-world value at the moment — and it’s only available on the pricier Note 10+. Understandable on the latter, at least.

After all, Samsung needs some ways to distinguish the more expensive unit. Aside from size and pricing, the 10+ also features a time of flight sensor missing on the standard Note. That brings an extra level of depth sensing. For now, uses for the feature are pretty limited. Take AR Doodle — that’s available on both versions of the device.

3D scanning is an impressive differentiator, and the demo rightfully got some cheers as a Samsung employee walked a circle around a stuffed beaver toy named “Billy” (I dunno, man). The phone did a solid job capturing the image in 3D and pulled it out of its background. From there, a user can sync its movements to their own and animate it, AR/Animoji-style.

Again, a neat demo, but pretty limited real-world use for most of us. Though that’s pretty standard for these sorts of features. It’s as much about showing that the company is thinking about AR and offering the hardware to do it. Making it truly useful, however, will be in the hands of developers.

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