Coronavirus: Patients refusing treatment because of fake news on social media, NHS staff warn- Tempemail – Blog – 10 minute

Social media companies are putting lives at risk by failing to “detox” their platforms of misinformation about public health issues such as coronavirus, NHS staff have warned.
Some Covid-19 patients have been rushed to intensive care after delaying seeking medical help for symptoms because of fake news about the disease, a doctor told a parliamentary inquiry.
The NHS 111 helpline has been flooded with questions about false rumours callers calls had read on the internet, MPs on the Digital, Culture, Media and Sport subcommittee on online harms and disinformation heard.

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The committee also grilled representatives of Twitter, Facebook and Google for the second time on Thursday following criticism by chair Julian Knight about “a lack of clarity” in evidence to an earlier hearing and “failures to provide adequate answers to follow-up correspondence”.
The three executives, as well as a fourth from YouTube, appeared before MPs over video after research showed social media firms were removing less than one in 10 posts spreading “dangerous” coronavirus fake news.

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The Centre for Countering Digital Hate, which published the research, accused the platforms of “shirking their responsibility” to stop the spread of “falsehoods.
Giving evidence to the committee, Dr Megan Emma Smith, a consultant anaesthetist at Royal Free London Hospital, said “doctors across the board” were “deeply concerned” about misinformation.
She said: “What I’ve seen is a lot patients who aren’t presenting to hospital — they’re presenting very, very late on in the illness — because, in some of their cases, they have been afraid to come to hospital or they’ve believed online messaging that the illness isn’t as serious as it really is.
“By the time they come to me… they are unbelievably sick and they have required incubation.”
Thomas Knowles, an advanced paramedic practitioner for NHS 111, said at the height of the coronavirus crisis he dealt with “multiple calls a day” involving misinformation, ranging from the use of certain medications to do-not-resuscitate orders.
He recalled one woman who he believed to be suffering a heart attack who refused medical attention “because she’d read on Facebook that [coronavirus] meant she’d definitely die if she went to hospital”.

No hype, just the advice and analysis you need

He also warned the spread of anti-vaccination conspiracy theories could potentially undermine “one of our ways out of this pandemic”.
Mr Knowles accused social media firms of “profiting off of a system which places everyone at increased risk of harm” and called for regulation to prevent platforms “removing themselves from that social responsibility”.

The committee was also sent submissions from healthcare workers on the frontline of the coronavirus pandemic who signed an open letter urging social media firms to “correct the record” on misinformation by alerting all users who encounter it. One doctor in New York said his neighbours had died “because of a delayed federal government response informed by online conspiracy theories”.

The letter, signed by the medics, called for platforms to “detox the algorithms that decide what people see” to prevent “harmful lies” being amplified.
Questioning Leslie Miller, YouTube’s vice-president of government affairs and public policy, the Labour MP Yvette Cooper asked why the video-streaming website had promoted “shocking” anti-vaccination and 5G conspiracy theories on its home page.
“Surely that is utterly irresponsible of YouTube, and I have been raising this issue with you and your colleagues repeatedly,” said Ms Cooper, who as Home Affairs Committee chair had joined the session as a guest.

Ms Miller said YouTube had expanded its policies on harmful and dangerous content to include “content that contradicts medical or scientific facts”, but acknowledged there was “always more to do in this area”. She noted the platform had removed conspiracy theorist David Icke’s channel after it linked coronavirus to 5G and “Jewish cults”.
However, Scottish Tempemail Party MP John Nicolson MP said Icke was still “spreading lies” on monetised videos on other YouTube channels.
“You’re doing nothing about it. You know exactly what you’re doing and I think it’s enormously cynical,” he told Ms Miller. “It suits your purposes to have David Icke on because he’s clickbait.”

Monika Bickert, Facebook’s head of product policy, said millions of users had viewed official coronavirus health information which the platform been promoting during the pandemic.
But Facebook faced criticism from the committee over its decision not to take action over an inflammatory post in which Donald Trump threatened to shoot “looters” following violent protests over the death of George Floyd.
“It looks to me like something is rotten in the state of Facebook,” Mr Nicholson said.
Company founder Mark Zuckerberg’s defence of the decision not to remove the post this week prompted staff walkouts and resignations, as well as condemnation from civil rights leaders.

Ms Bickert admitted Facebook’s processes for removing content were “not perfect” but said Mr Trump’s post had not violated its policies.
Twitter faced Mr Trump’s wrath after it concealed the same post by the US president and the White House behind a warning about “promoting violence”.
The committee asked Twitter’s director of public policy, Nick Pickles, whether Mr Trump’s account could be suspended if he continued to violate the platform’s rules.
He did not rule it out, replying: “Every Twitter account is subject to the rules.”

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Blackout Tuesday dominates social media as users show solidarity | Black Lives Matter movement- Tempemail – Blog – 10 minute

The protest movement sparked by the death in police custody of George Floyd in Minneapolis spread from the music business to social media on Tuesday as major institutions around the world posted black squares and stopped online activity in solidarity.
The #BlackoutTuesday hashtag dominated social media, as musicians, actors, major museums, social media companies and ordinary users all took part. But the hashtag was criticised by some for being reductive.
Black squares replaced the usual barrage of colourful posts and paid-for ads on Instagram, but some refused to take part, calling the move, which started with the music industry, a “major label record executive white guilt day”, and called for people to share anti-racist literature and films instead of remaining silent.
Others, including UK rapper Awate, said the move was undemocratic and enforced on artists. He tweeted: “Instead of this performance, we should find a way to unionise and innovate methods of supporting the struggles of our people under attack. Capitalism got us here. Let’s try a collective approach.”
Ariana Grande, one of the most popular Instagram users with 189 million followers, posted a black square with links to Black Lives Matter accounts, with the caption: “Sending strength and if you are protesting today please be safe.” Dwayne “The Rock” Johnson, who has 185 million followers, simply posted a black square with the hashtags #normalizeequality and #blackouttuesday.
People taking part were reminded to not use the Black Lives Matter hashtag as protesters in the US, and worldwide, are using it to organise future protests and share information.
The artist Toyin Ojih Odutola, who was due to show at the Barbican before the Covid-19 pandemic struck, captioned her post: “Please don’t use the black lives matter hashtag, it’s to help those on the ground, and instead refer to local bail fun or international organisations.”
Many other artists also took part, including Olafur Eliasson, and Tracey Emin, who wrote: “The world is full of so much fear, and those who are in charge are making it worse and worse and worse and worse.”
Museums and galleries including the Los Angeles County Museum of Art and the Queens Museum in Brooklyn, postponed their online activities, while, on Monday, Tate posted a Chris Ofili painting in tribute to Stephen Lawrence with the caption: “Nobody should have to live in fear because of the colour of their skin.”
TikTok said it was “standing in solidarity with the Black community and the music industry” by turning off its playlists to mark what it called “the extraordinary recurrence of injustice the Black community is experiencing in the long fight against inequality, racism and violence”.
Internet radio network SiriusXM said it was silencing music channels for three minutes. The first minute “to reflect on the terrible history of racism”, the second was “in observance of this tragic moment in time” and the third “to hope for and demand a better future”.
Hip-hop label Def Jam announced that it was pausing the release, marketing and promotion of some artists’ music, while others were donating a day’s wages to various organisation “on the frontlines of this fight”.
In the UK, TV channels and radio stations changed their programmes to mark “Blackout Tuesday”.
BBC Radio 1Xtra hosted a series of discussions and debates in support of the black community, with song choices reflecting black pride, empowerment and identity. BBC Radio 1 and Radio 2 broadcast moments of reflection. Some commercial stations, including Kiss, Magic and Absolute Radio were observing a social media blackout “to stand with the black community to fight against racism and support our presenters, musicians, colleagues and listeners”.
ITV daytime show This Morning briefly went dark, showing a black screen with the words “Black Lives Matter”.
MTV planned to go silent for eight minutes – marking the length of time Floyd’s neck was knelt on. Other channels, including VH1 and Comedy Central, were planning a similar gesture, while 4 Music was pausing its output once an hour throughout the day.

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5 Social Media Branding Strategies to Grow – Blog – 10 minute

Social media has quickly become the ultimate space to reach a massive audience and grow your brand to unlimited levels.
As of 2020, approximately 3.8 billion people are scrolling through their favorite platform. That opens almost infinite opportunities for businesses to put themselves in good positions and improve their performance.
This fact is also the reason why the competition is so fierce and why you need to prepare properly if you want to stand out from the crowd.
In this post, we’re going to dive into the key aspects you need to develop before touching your social accounts, plus 5 essential strategies to approach social media branding the right way in 2020.
Sounds good? Great, let’s get started.
3 Key Aspects of a Social Media Branding Strategy
In order to build a brand effectively on social media, you need to be clear about three basic fundamentals. These are important in order to set the right branding goals, build a loyal audience, choose the platforms that fit your business best, and more.
1. Brand Identity: Growing a brand requires you to give a consistent message across every channel, and you can’t do that without having a brand identity first.
Building your brand identity is a whole project, as you need to determine your brand’s core values, its personality, its visual assets, its goals, and find its own uniqueness so you can provide a consistent message. 
In short, learn how to create your brand identity first so you can start on the right foot.
2. Audience: Knowing your target audience is a must for every marketing effort. So do your homework and research the people who buy your products the most and that can potentially keep buying from you for the long term.
Ask yourself: What are their demographics? Their psychographics? What are their goals, pains, and desires? Those are questions that you need to answer first in order to create your customer persona and target your branding effectively.
Pro tip: Learn even more about your audience with a live website chatbot. It’s a great tool for understanding your customers as well as an emerging tactic for engagement.
3. The Objective: Create clear goals, both for your social media presence overall and for specific campaigns.
Unlike blogging or ads or email marketing, social media is now less likely to drive traffic to your site (not directly) because of the ability to keep users within the platform even through the buying process. Instead, a common goal is to increase brand awareness and build loyalty.
This means that instead of focusing on the number of followers, likes, and organic visits, you have to care about the relationship you’re building with your audience.
This is the most difficult part and that’s exactly what the next five strategies will help you with, as they’re tailored to expand your social media brand exposure, position your authority, and to build an audience of brand advocators.
So let’s dive in:
1. Be Active and Consistent
Lack of consistency kills brands in a painful way. 
Publishing content on a regular basis is a must in order to keep the traction going without losing progress. Remember that social media is a fast-moving place, and you need to be constantly present in order to be seen.
The best way to approach this is to stop improvising right now and start organizing your life with a content calendar.
With a content calendar, you can schedule the content and create it in batches. This way, you don’t have to waste your time by logging in every day, and you’ll save the hassle of not knowing what to post about at that moment and lose the day.
But every social media is different, right? How can you schedule content properly?
Well, to help you even further, here’s a chart with the minimum frequency you need to post on every social platform to be considered “active.”
Image Source
You can safely post more content than that (especially on Twitter and Pinterest), but you also need to be aware of not becoming a spambot or your brand will get the totally opposite results.
Scheduling posts for social media is a lot of work but you can alleviate some of that by using AI and collaborating with colleagues in Socialbakers Content Hub.
2. Establish Your Brand Tone of Voice
Consistent branding can increase your revenue by up to 33%. This is because your target audience relates better with your brand when you’re constantly giving a text or visual message that aligns with your core values.
That message is your tone of voice, and its job is to communicate your brand personality with the use of language.
Depending on your brand personality and context, the tone can be friendly, funny, formal, professional, informative, scientific, etc. And in order to know how to use the right tone, you need to establish a voice that fits with your brand identity while resonating with your target audience.
Knowing the difference between voice and tone is essential to make this work.
Image Source
A helpful exercise is to create a brand voice chart, placing words that best represent your brand and describing how they should and shouldn’t be used. Here’s an example that Tidio put it in its brand voice guide:
Image Source
It doesn’t end here though. Developing a tone of voice is something that takes time, as you need to test and see what resonates better with your audience. So, in the beginning, you’ll have to do some trial and error and see what hits.
Thankfully, once you’ve got it right, you can just keep using it – even for customer acquisition.
3. Use Social Media Automation Tools While Staying Human
According to a data-driven article by Funnel Overload, 75% of all companies already use at least one kind of marketing automation tool. It’s clear from statistics like these that automation is already widely accepted.
That said, it’s essential to automate without losing human touch. Particularly in social media automation, it’s essential to get the right social media management tools to make use of social media effectively.
A common mistake is to use these tools to schedule and forget without caring about the quality of the content or the engagement it drives. That’s a mistake that can negatively affect your brand without prior notice if you’re not careful.
Remember, the purpose of creating content is to generate engagement. And if your messages are all scheduled and templated then you can lose relevancy, authenticity, and human sense.
The best way to be human in social media is by interacting directly with your audience. Reply to their comments, ask questions, play some games (if that fits your brand voice), and basically just show that you care about their opinion.
This is important because, according to Terakeet, having brand mentions can improve your SEO performance, and hence your brand awareness. 
The best part is that you can do this easily with a social media listening tool, which allows you to more easily be aware of your social media mentions and reply back to them with a thoughtful message.
For example, see an example of how Socialbakers interacts with followers and gets some valuable feedback in the process:

Also, your posts can be more timely with certain events, like a product update, a conference, or a holiday message from your brand, like Mailchimp did with the Tempemail Postcard Week.

Using social media and other automation tools is a necessary approach, but make sure to keep a human touch with your audience and connect with them. So put some extra effort into your content to make it more relevant, helpful, and engaging for your followers.
4. Choose the Most Relevant Social Platforms for Your Brand
You’ve probably heard that your brand must be present everywhere, on every platform you can come up with.
This isn’t necessarily true. You don’t need to invest massive amounts of time and money into every social platform that exists.
Instead, find the platforms that suit your business best. For example, if you’re a B2B brand, LinkedIn is an excellent platform where you can find business owners and executives. Conversely, if your brand only sells coffee, then visual platforms like Instagram or Pinterest will be the way to go for you.
You don’t have to be present on every social platform, but you have to be present on every relevant social platform.
For this, you have to understand the difference between each platform. The demographics of the people who use them, the formats, their limits, their reach, etc. This little Socialbakers cheat sheet is a good place to start:

The key is to choose the platforms where your target audience is hanging out – maybe that means getting familiar with TikTok – and create content accordingly.
5. Be Laser-Focused With Your Content Format
If you’re trying to satisfy everyone with your content, you’re not going to appeal to anyone. That’s for sure.
Posting content with the right brand tone and at the right frequency is good. But in order to truly resonate, you need a social media content strategy that is as relevant and appealing as possible for your specific target audience.
Your social media content also has to be in the right format according to the social platform you’re posting on. Like a high-quality picture on Instagram, an interesting thread on twitter, and so on. Don’t be afraid to try new things, either. 
And yes, you can technically take a screenshot of your tweet and repost it on Facebook, but that’s seen as a lazy approach and won’t get the level of engagement you want.
So, you truly need to diversify your content and make it feel authentic and exclusive. To do this, learn how your audience is using these platforms.
Do they watch Instagram Live? Participate in Facebook contests? Do they share a lot of infographics on Pinterest? When you know this, then you can start creating content in a format that your audience is already trained to consume.
And once you’ve nailed the format and the content, you can start replicating it and grow from there.
An example of this is how online marketing expert Neil Patel approaches social media with multiple formats.
First there’s his Twitter, where Patel’s always tweeting about marketing, motivation, and entrepreneurship. He also uses it to share some of his blog content.

Don’t expect things to be handed to you or for doors to open up when you want them to.
You have to be a go-getter and if you aren’t one, you better learn how to become one.
— Neil Patel (@neilpatel) April 16, 2020

But when you go to his Facebook page, his many series of videos are featured:

The interesting thing here is that these videos, although they’re repurposed from his YouTube Channel, are not shared from there. They’re re-uploaded on the Facebook platform so people don’t leave the website and go to YouTube, making it more friendly to the Facebook algorithm.
If you have the right tools to edit your videos a bit for each channel, then you should definitely steal this tactic, too.
Now, on his Instagram account you’ll mostly find repurposed content from his Twitter and Facebook accounts.

This shows that Patel likely values Facebook and Twitter content above Instagram, but he’s still able to use the platform for promotion with minimal extra effort. It’s one example of how you can always find ways to leverage several social platforms at the same time and grow your brand.
The Takeaway
Social media is the ultimate tool to increase your brand awareness and build a community through dedicated customer service. The steps to use that tool to increase your engagement and help your overall business are at your fingertips:

Create on-brand content with the right tone of voice
Post content at the right frequency
Automate content without sounding like a robot
Select the best social platforms for your brand
Be laser-focused with your content format

It is time for you to take these steps toward achieving your brand goals. Just keep working and learning!

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41% of Parents are Suspicious of their Children’s Social Media | Tempemail – Blog – 10 minute

The worldwide COVID-19 pandemic has forced families to spend their free time mostly at home. Staying at home usually also means spending much time using different Internet-connected devices. For clear reasons, children’s growing online activity can cause lots of worries for their parents.
According to a Kaspersky survey, 41% of South African parents claim that they have come across something in their child’s social media account that seemed suspicious.
Elaborating on what it exactly was, they mention people they interact with (55%), posts that they publish or share (46%), groups or public pages they join (32%), private messages (a quarter) and videos on their page (23%).
What is more, 38% state their child has seen or listened to something that seemed suspicious to them, be that videos (72%), music (32%) or photos (29%). Obviously, this data shows the need to explore the interests of children, to make sure everything is alright or if it is necessary to take action.
Not all the parents realise it – only 16% of them befriend their children via social networks in order to be connected with their kids – sometimes real communication is not enough and the parents have to look carefully at their children’s webpages.
“It gets harder and harder for parents to keep up with the pace of the modern evolving world. They are often left out of the picture as they simply do not catch up with trends that emerge way too fast,” says Maher Yamout, Senior Security Researcher at Kaspersky.
“However, it is possible to stop this backlog by communicating with your child and ensuring your presence on the Internet – to build trust and a good relationship with your child you have to know what you are talking about with them”.
In order to eliminate groundless suspicions about your child’s digital life and to secure their presence on social media, Kaspersky strongly recommends following this advice:

Learn more on the topic of children’s cybersecurity: explore modern trends, apps, the way of behaviour that has to be adopted in order to safeguard against dangers (for instance, the basic security rules while on the Internet).
Communicate with your child and define the boundaries which are not meant to be crossed: discuss with them safe locations both real and webpages.

Edited by Luis MonzonFollow Luis Monzon on TwitterFollow Tempemail on Twitter

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Trump’s push to regulate social media faces uphill battle – Software- Tempemail – Blog – 10 minute

US President Donald Trump’s effort to regulate social media companies’ content decisions may face an uphill battle from regulators who have previously said they cannot oversee the conduct of internet firms.
Trump said last week that he wants to “remove or change” a provision of a law that shields social media companies from liability for content posted by their users.
He signed an executive order that directed the Commerce Department to petition the Federal Communications Commission (FCC) to write rules clarifying social media companies’ legal protections under Section 230 of the 1996 Communications Decency Act.
FCC chairman Ajit Pai did not endorse the proposal but said in a written statement “this debate is an important one” and added the FCC “will carefully review any petition for rulemaking.”
In August 2018, Pai said he hoped social media companies would embrace free speech but did not see a role for the FCC to regulate websites like Facebook , Alphabet’s Google and Twitter .
“They are not going to be regulated in terms of free speech,” Pai said at a forum. “The government is not here to regulate these platforms. We don’t have the power to do that.”
Another Republican on the five-member commission, Mike O’Rielly, expressed mixed feelings.
“As a conservative, I’m troubled voices are stifled by liberal tech leaders. At same time, I’m extremely dedicated to the First Amendment which governs much here,” O’Rielly wrote on Twitter. The First Amendment of the US Constitution protects free speech.
Former FCC Commissioner Robert McDowell, a Republican, wrote on Twitter that the review is “based on political speech management of platforms. So many wobbly parts to this govt ‘nudge.’ I don’t see how it survives.”
Boston College law professor Daniel Lyons said the FCC was not required to act on the petition “especially as the request runs contrary to the strong First Amendment protections that the agency has traditionally extended.”
He noted one of the 1996 law’s authors said his intent was not to create “a Federal Computer Commission with an army of bureaucrats regulating the internet.”
Another barrier is timing. The FCC will spend at least a few months reviewing and likely seeking public comment before potentially drafting proposed regulations.
It could take a year or longer to finalise any rules, long after the November presidential election.
Section 230 protects internet companies from liability for illegal content posted by users and allows them to remove lawful but objectionable posts.
Trump wants the FCC to “expeditiously propose regulations” to determine what constitutes “good faith” by firms in removing some content. He also wants Congress to repeal the Section 230 protections.
FCC Commissioner Brendan Carr, a Republican, said he expects the commission will seek public comment to provide clarity on what “good faith conduct” by companies means and draw a line between permissible and improper behavior.
“When a final decision is reached, my hope and expectation is that it will provide clarity about that line,” Carr said.
Twitter called Trump’s executive order “a reactionary and politicized approach to a landmark law… Attempts to unilaterally erode it threaten the future of online speech and Internet freedoms.”
Alexandra Givens, chief executive of the Center for Democracy & Technology, said the order “not only violates the Constitution, it ignores 20 years of well-established law. The Executive Order is designed to deter social media companies from fighting misinformation, voter suppression, and the stoking of violence on their services.”
FCC Commissioner Jessica Rosenworcel, a Democrat, suggested turning the FCC “into the president’s speech police is not the answer. It’s time for Washington to speak up for the First Amendment.”

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Australian media companies face defamation liability for comments on Facebook after court dismisses appeal | Media- Tempemail – Blog – 10 minute

The New South Wales court of appeal has dismissed an appeal from several newspapers and a TV news channel over a court ruling that held them liable for defamatory comments posted in response to news articles about Northern Territory youth detainee Dylan Voller on their Facebook pages.
Voller, whose mistreatment in the Don Dale youth detention centre led to a 2016 royal commission, had sued the Sydney Morning Herald, the Australian, the Centralian Advocate, Sky News Australia and The Bolt Report over comments on their Facebook pages in response to news articles about him in 2016 and 2017.

In June last year, the NSW supreme court found that the companies could be considered publishers of the third-party comments, even though companies are unable to screen comments posted on Facebook before they go public.
The decision has wide-ranging ramifications for media companies in Australia, which are now held responsible for content posted by users on their Facebook pages.
The court of appeal upheld the decision on Monday, finding that the companies did have sufficient control over comments to be considered publishers.
“They facilitated the posting of comments on articles published in their newspapers and had sufficient control over the platform to be able to delete postings when they became aware that they were defamatory,” judge John Basten said.
The case led to the federal government announcing plans late last year to make platforms such as Twitter and Facebook liable for the content posted by third parties, as part of a wide-range of planned defamation law reform.
The first tranche of legislation was due to be introduced this month, but the government has not yet announced any plans since the coronavirus pandemic hit.

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Covid-19 misinformation: pro-Trump and QAnon Twitter bots found to be worst culprits | Social media- Tempemail – Blog – 10 minute

Misinformation about the origins of Covid-19 is far more likely to be spread by pro-Trump, QAnon or Republican bots on Twitter than any other source, according to a study commissioned by the Australia Institute’s Centre for Responsible Technology.
In late March, when the coronavirus pandemic was taking hold in the US and across much of the rest of the world, two researchers at Queensland University of Technology, Timothy Graham and Axel Bruns, analysed 2.6m tweets related to coronavirus, and 25.5m retweets of those tweets, over the course of 10 days.
They filtered out legitimate accounts from those accounts most likely to be bots, which can be identified when they retweet identical coronavirus-related content within one second of each other.
Through this methodology, the researchers found 5,752 accounts retweeted coronavirus-related material in a coordinated way 6,559 times.
The researchers identified 10 prominent bot-like networks that were attempting to push political agendas, separate from those bot networks pushing commercial sites by hitching on to trending topics like coronavirus.
The researchers found a coordinated effort to promote the conspiracy theory that Covid-19 was a bioweapon engineered by China.
The researchers identified a co-retweet network of 2,903 accounts with 4,125 links between them.
Within this network, the researchers found 28 to 30 clusters of accounts which identified themselves as pro-Trump, Republican or associated themselves with the pro-Trump QAnon conspiracy theory.
There were 882 original tweets over the 10-day period pushing the bioweapon conspiracy theory, which were retweeted 18,498 times, and liked 31,783 times, with an estimated 5m impressions on Twitter.
The researchers said the effect of the bot networks was the amplification of the misinformation.
“Whether the coordinated inauthentic behaviours we have observed for the bioweapon conspiracy are orchestrated by the hard core of participants in these groups themselves, or are designed by external operators to target and exploit the worldviews of such groups, the net effect is often the same: the themes and topics promoted by coordinated inauthentic activity are taken up by the wider fringe community, and thereby gain amplification and authenticity,” the researchers said in the report.
“The mis- and disinformation contained in the initial messages is no longer distributed solely by bots and other accounts that may be identified as acting in coordinated and inauthentic ways, but also and to a potentially greater extent by ordinary, authentic human users.”
From there disinformation can easily garner broader public attention when media, or people with large numbers of followers on social media, engage with the conspiracy theory, even if to refute it, they said.
“Official denials and corrections can perversely be exploited by the conspiracy theorists to claim that authorities are covering up ‘the real truth’,” they said.
“In Australia, for example, the effects of this vicious circle are now being observed in the sharp rise in concerns about 5G technology – at least in part as a result of the circulation of the conspiracy theories about links between Covid-19 and 5G.”
The report authors recommend that platform operators get better at detecting and mitigating bot activity on their platforms, and mainstream media should be encouraged to reduce “clickbait conspiracy theory coverage” that has the potential to introduce new audiences to the misinformation .
“Such sites may frame the conspiracy theories as outlandish or laughable, but often present them without significant correction or fact-checking; as a result, such coverage puts substantial new audiences in contact with problematic content that they would not otherwise have encountered.
“Tabloid media can therefore represent an important pathway for conspiracy theories to enter more mainstream public debate.”
The US president, Donald Trump, signed an executive order last week seeking to make social media sites liable for what their users post on the platform in retaliation for Twitter factchecking a tweet he posted containing a false assertion about mail voter fraud.
Peter Lewis, director of the Centre for Responsible Technology, said it was a good start for Twitter to factcheck Trump, but more needed to be done on bot networks to stop the spread of misinformation.
“Social media companies need to take greater responsibility for disinformation on their sites, particularly where coordinated and automated retweeting is promoting dangerous disinformation,” he said. 
“While Twitter is starting to call out some of President Trump’s more egregious tweets, social media companies have a long way to go to stem the flow of divisive and dangerous disinformation on their platforms.” 
The report authors noted that while the research had focused on Twitter, the bot-like activity is not limited to Twitter, and has been something other platforms like Facebook had been grappling with.
Facebook for its part has been factchecking select coronavirus claims, and banning some, including connecting 5G to the spread of coronavirus. But the company’s chief executive, Mark Zuckerberg, said Facebook should not factcheck in a similar way to Twitter, saying it shouldn’t be the “arbiter of truth”.

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The rot in Australian media is already advanced. We need to understand the damage wrought in 2020 | Australian media- Tempemail – Blog – 10 minute

The Northern Age was founded in Townsville in the 1890s – there are conflicting reports of the precise date – in what was still the Colony of Queensland. 
It was moved to Ingham, just north of Townsville, then the smaller neighboring town of Halifax, changing its name to the Planter, and perhaps the Northern Planter, before returning to Ingham for good.  
From 1904 until last Wednesday, through world wars, depressions, and four Foley Shield championships for the Herbert River Tigers, it was published as the Herbert River Express. Now its current owners, News Corp, have shuttered it for good, along with 111 other community and regional newspapers. The masthead will disappear and its coverage will be folded into the Townsville Bulletin’s website. 
No longer a newspaper, the Express will not even have its own URL. Ingham and the surrounding region will no longer have a newsroom of its own. 
There’s something to say about media ownership regulations that allow so much civic and cultural heritage to be entrusted to a single, profit-driven entity. But even if News was not always the best custodian of local newspapers, owners can change, unless capacity is lost. 
News Corp is not alone in closing papers. Australia is not alone in wondering what to do when local news disappears, and entire communities are left without newsrooms.
We need to understand how advanced the rot already is in Australia, and how much damage has been wrought in 2020 alone. 
The Public Interest Journalism Institute tracks Australian newsroom closures in their Australian Newsroom Mapping Project. Their latest data, due to be published next week, paints an ugly picture. According to their research and projects manager, Gary Dickson, in 2020 so far, dozens of newspapers have vanished or been seriously diminished. 
In an email Dickson told me that nine mastheads have merged into other properties. Ninety-one papers have ended print editions. One newsroom (10 Daily) has closed entirely. And 20 mastheads have closed (19 News Corp regional newspapers announced on Thursday, and Buzzfeed Australia). Disproportionately, masthead closures have taken place in Queensland. 
The pandemic has struck at the news industry in the United States, as well. 
US journalism-focused non-profit the Poynter Institute reports that 30 local newsrooms have closed or disappeared in mergers during pandemic lockdowns. 
Some, like the Daily Iowegian of Centerville, Iowa, and the Knoxville Journal Express, had been publishing since the Civil War, or earlier. 
Elsewhere, Poynter keeps a running list of the newspapers, publishers and broadcasters which have closed, reduced printing days, or shed staff during the Covid-19 emergency. 
The carnage is also reaching into world cities which are crucial to the US economy. In Palo Alto, in the heart of Silicon Valley, the Daily Post will only be printing four days a week. The San Francisco Examiner has cut staff. The New York Post has furloughed or laid off reporters. 
Media researchers use a term, “news deserts”, to capture the status of communities that aren’t served by a dedicated print news outlet. Already, by 2018, 171 counties in the US had no newspaper at all; 1,449 had only one, usually a weekly. New figures on news deserts are yet to be calculated, but there are sure to be more of them in the US and Australia. 
The term may not be quite adequate because, in a way, it may be overly optimistic. 
It’s not quite true that news stops flowing in a town with no paper. Rather, that community loses an institution that, whatever its biases may have been, had ethical and legal imperatives to verify the information that it published. 
Inhabitants of news deserts do not suffer from a lack of information. They suffer from a dearth of relevant, factual information about the communities they live in. 
The void left by local news might be partly filled by national news outlets — the loss of a newspaper does not mean the loss of a cable subscription or an internet connection. Small town audiences can watch CNN, Fox News or Sky; they can also browse news.com.au or the New York Times. 
Of course, those outlets will not cover council meetings, local courts, or local economies. They will not carry wedding or funeral announcements from Tully or Topeka. And national outlets themselves are often far from financially secure. 
Moreover, US studies suggest that in the absence of local news, national news can exacerbate the partisan polarisation that contributes to America’s political gridlock, and in turn to its increasing political instability. 
The question of the relationship between political attitudes and media consumption can easily become a fruitless chicken and egg discussion. But we do know that when it comes to national media, in many western democracies, people with political differences inhabit distinct informational universes. 
The 2019 Reuters’ Institute Digital News Report shows how people with “populist attitudes” in Europe and the US are more likely than non-populists to get their news from television or Facebook, and less likely to get it from print sources. 
Data from the UK suggests that when “populists” do consult print sources, they strongly favour tabloid newspapers such as the Sun. In the US, “populists” gravitate to Fox News and websites such as Breitbart, neither of which offer dedicated local news reporting, and each of which, far from seeking to tamp down on political polarisation, have incorporated it into their business model. 
For all the flaws of national media, a worse alternative exists for newspaperless towns. News deserts may provide particularly hospitable soil for a bloom of mis- and disinformation, fertilised by social media. 
Social media is already outstripping embattled local outlets as a source of news for many people in many countries. To the extent that local newspapers still exist, evidence suggests that their reach as a news medium is smaller than that of social media, and has been for some time. 
In Australia, again according to the Reuters News Institute report, the nationwide weekly reach of local newspapers was just 20%; regional news networks Win and Prime7 just 10%; whereas 36% said they got news from Facebook. 
In the US, local newspapers had a 20% weekly reach, and local newspaper websites 10%, but 39% of people said they got news from Facebook. 
The trouble with that is that Facebook and other social media companies are not liable for the torrent of disinformation that cascades across their platforms, and they have only intermittently devoted attention and resources to cleaning up their act. 
This reluctance to take on disinformation has had serious consequences, large and small. Facebook has been used to organise genocidal attacks on minorities in countries such as Myanmar. It has been connected with a rise in vaccine hesitancy, which may yet cruel our chances of defeating the coronavirus. It has been an effective platform for extremist groups around the world. 
Groups or pages devoted to local communities are prey to the conspiracy thinking, fake news, and polarisation that affects every other part of Facebook. And in the absence of a local newsroom, there’s no obstacle to disinformation taking hold. 
The coronavirus emergency has dramatised this. In the US, people have poured into state capitals to demonstrate against pandemic precautions derived from the advice of public health experts. Antivaxxers and conspiracy theorists have been front and centre at the events. Facebook has played a crucial role in allowing the anti-lockdown movement to organise at a local level. And frequently people are coming to state capitols from the same rural areas where newspapers have been supplanted by cable news and partisan websites. 
This perfect informational storm has driven the US slightly mad. Its effects have been fractal. Shattered local news ecosystems have made local communities easy prey for ideologues and grifters; at the same time, a polarised national media landscape makes any resolution of the country’s abiding problems difficult to envision. 
Now the storm is settling in over Australia. 
There are no easy answers to the collapse of the business model for news. It may be that we need to think about journalism beyond the institution of the newsroom, and beyond the profit driven model of independence. It may be that we need to regulate social media companies more forcefully. 
The consequences of the collapse of local news are not confined to the communities most directly affected. When local community ties are broken, when citizens come to mentally inhabit closed partisan worlds, nations are torn asunder. 
The people of Ingham may be mourning the Herbert River Express, but really all of us should. 

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Meghan McCain to keep details of pregnancy private due to social media trolls- Tempemail – Blog – 10 minute

Meghan McCain has opened up about her reasons for keeping details about her pregnancy private.
On Thursday, The View host, who is currently expecting her first child with husband Ben Domenech, revealed that she has decided not to share updates on social media because she does not want her baby exposed to hateful comments.
“People keep asking and requesting I show pics & details of my pregnancy,” the daughter of late Senator John McCain wrote on Instagram. “Given that people write on photos I put up of my family they are glad my Dad got cancer and he’s in hell, I thought I would leave my unborn child out of the social media cess pool as much as is possible.”

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In the caption, the 35-year-old elaborated on her decision, explaining that she and Domenech made the conscious decision to “guard our (growing) family’s privacy as much as is possible” and that she believes children have a “right to privacy”.

McCain also reiterated that the “inhumane” bullying of her father, who died in 2018 from brain cancer, played a large part in her decision.

“A bunch of inhumane jackasses have really ruined so much for so many on social media and I learned a lot of hard lessons about cruelty that comes with being open and vulnerable about my personal life during my Dad’s cancer fight,” McCain continued. “It is a shame.”

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The talk-show host then acknowledged that her decision is “unorthodox” considering she is on TV five days a week, but that she’s “always lived by the beat of my own drum”.
McCain concluded the post thanking her followers who had shared kind words and support during her pregnancy, writing: “Thank you for the continued kind words, support and prayers regarding my pregnancy from so many of you who are nothing but kind.
“It has meant a lot during this crazy time.”
The post was met with support on social media, where McCain’s followers applauded her decision to keep details of her pregnancy private.
“A decision that is understandable in your situation. Already a protective mother. You are going to be a great mother!” one person commented.
Another said: “Good for you! Best wishes to you and your sweet babe!”
McCain announced she was pregnant in March, writing on Instagram at the time: “My husband Ben and I have been blessed to find out I’m pregnant.”

In the post, the soon-to-be mother also explained that her doctors had advised her to be “extra vigilant” about limiting the number of people she comes in contact with as a precaution against coronavirus, adding that she would be self-isolating at home.

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The case of Myka Stauffer ‘rehoming’ her autistic adoptive son shows you shouldn’t believe what you see on social media- Tempemail – Blog – 10 minute

Never trust people who give a picture-perfect view of family life and caring for their children on social media. For every carefully edited scene with saccharine music dubbed over it, there will be ten scenes they couldn’t use because the baby or parent was screaming or running around naked with poo smeared on their bum.
Myka and James Stauffer are YouTubers with four young children. Myka Stauffer is a vlogger with a successful YouTube channel with hundreds and thousands or subscribers watching her artfully wash and dress her baby and reveal ways you can make your home, children and life as perfect as hers. Being an influencer is a career, and this “stay at home mom” was good at it. She didn’t film her life for the family archives; she did it for an audience of strangers which made her money.
The bigger your following on social media, the more free stuff you are sent and the more lucrative sponsorship deals you can get. Stauffer got both. The couple decided to up their game. Over 5m people watched the video of them adopting a toddler from China called Huxley. She recorded this intensely private event and set it to music. The couple used crowdfunding to pay for the adoption process and showed everyone what they had paid for.

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The film was centred around Myka herself, hot-ironing her hair before the handover, fixing her make-up and making sure there were close-ups of her cuddling her new son, supposedly enrapt in motherly love.
Three years later, they gave the child away. They “rehomed” him.

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I’m glad. The Stauffers finally did the best for the child they should never have been allowed near.
I don’t trust anyone who commodifies their children. Don’t get me wrong – my son and I took part in an ITV game show and he got a chunk of money which was put towards his future. There are mum vloggers like Stacey Solomon who I find utterly adorable. She’s frank about the hardships of family life and the pressure she feels sometimes. But to set out from scratch and think, “Wait a minute, there might be a few quid in these kids”, is becoming normal and the “rehoming” of little Huxley is the ghastly proof no one wanted that this culture of making money by presenting a radiant view of parenthood needs to end.
Yes, Huxley had medical issues which were undoubtably hard to handle, and he is autistic. But when you’re a parent, choice goes out of the window and you get what you are given, biological or not. James Stauffer permitted himself to say out loud, “With international adoption there are unknown and things that are not transparent on files. When Huxley came there were a lot of more special needs that we weren’t aware of and weren’t told.” Well, thank goodness he kept the receipt.
Every parent knows that sometimes, parenthood is suffering. Your child is entirely your responsibility and though its life is more important to you than your own, sometimes, it is really flipping hard.

I’d say any small child is in danger of being hurt physically or emotionally when it’s being cared for by people who do not have unconditional love for it.
Elsie Scully-Hicks was 18 months old when she was murdered by her father, Matthew Scully-Hicks. He and his husband had adopted the girl just a few months before and despite several “accidents” where there were bruises and broken bones. Social services were not suspicious of this, by all accounts, articulate and warm-mannered man whose care she was in. He sent texts to his husband calling the smiley, bright-eyes toddler “Satan in a baby-grow” and “The Exorcist”. He eventually shook the child to death. Of course biological parents hurt and kill their children too. Every parent who loses their self-control when caring for a baby should be able to say, “I’m not coping, I can’t love this child. Help this child by taking it away from me.” Which is what I believe the Stauffers did. I’m not excusing it, it’s just that it’s better than the potential alternative.

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rightCreated with Sketch.

1/15 T-Series
The YouTube channel homepage for Indian record label T-Series, which overtook controversial Swedish vlogger PewDiePie in 2019
AFP/Getty

2/15 PewDiePie
PewDiePie has been the most popular YouTuber since 2013
PewDiePie / YouTube

3/15 5-Minute Crafts
5-Minute Crafts, which offers quick and quirky DIY tips to viewers, didn’t even feature in the top 15 YouTube channels in July 2018
5-Minute Crafts

4/15 Canal KondZilla
Brazilian music video producer and director KondZilla began his career after buying a camera with life insurance money left to him after his mother died when he was 18
Getty

5/15 SET India
Sony Entertainment Televesion (SET) launched in 1995 and has recently seen huge growth of its Hindi-language YouTube channel
AFP/Getty

6/15 Justin Bieber
Canadian musician Justin Bieber held the number-two spot in 2018 before T-Series took over
Getty

7/15 WWE
World Wrestling Entertainment has managed to gain a huge following on YouTube by sharing clips of fights and interviews with its stars
WWE

8/15 Cocomelon – Nursery Rhymes
This YouTube channel specialises in 3D animation videos of nursery rhymes, as well as its own original songs. It is owned by the American firm Treasure Studio
Cocomelon

9/15 Dude Perfect
YouTube personalities Coby Cotton, Tyler Toney, Cody Jones, and Cory Cotton form Dude Perfect, a sports entertainment channel from the US
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10/15 HolaSoyGerman
YouTube personality German Garmendia is a Chilean comedian and writer
HolaSoyGerman

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Badabun / YouTube

13/15 Eminem
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15/15 Ariana Grande
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AFP/Getty

1/15 T-Series
The YouTube channel homepage for Indian record label T-Series, which overtook controversial Swedish vlogger PewDiePie in 2019
AFP/Getty

2/15 PewDiePie
PewDiePie has been the most popular YouTuber since 2013
PewDiePie / YouTube

3/15 5-Minute Crafts
5-Minute Crafts, which offers quick and quirky DIY tips to viewers, didn’t even feature in the top 15 YouTube channels in July 2018
5-Minute Crafts

4/15 Canal KondZilla
Brazilian music video producer and director KondZilla began his career after buying a camera with life insurance money left to him after his mother died when he was 18
Getty

5/15 SET India
Sony Entertainment Televesion (SET) launched in 1995 and has recently seen huge growth of its Hindi-language YouTube channel
AFP/Getty

6/15 Justin Bieber
Canadian musician Justin Bieber held the number-two spot in 2018 before T-Series took over
Getty

7/15 WWE
World Wrestling Entertainment has managed to gain a huge following on YouTube by sharing clips of fights and interviews with its stars
WWE

8/15 Cocomelon – Nursery Rhymes
This YouTube channel specialises in 3D animation videos of nursery rhymes, as well as its own original songs. It is owned by the American firm Treasure Studio
Cocomelon

9/15 Dude Perfect
YouTube personalities Coby Cotton, Tyler Toney, Cody Jones, and Cory Cotton form Dude Perfect, a sports entertainment channel from the US
Getty

10/15 HolaSoyGerman
YouTube personality German Garmendia is a Chilean comedian and writer
HolaSoyGerman

11/15 Ed Sheeran
One of several musicians that populate the top 15 most popular YouTube channels, Ed Sheeran joined the list in 2017
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12/15 Badabun
Music channel Badabun’s subscriber count has not been publicly visible since 6 March 2019, at which point it had 37.2 million subscribers
Badabun / YouTube

13/15 Eminem
US rapper Eminem first entered the list of the top 15 YouTube channels in 2013, the same year that PewDiePie took over
AFP/Getty

14/15 Whinderssonnunes
Brazilian Whindersson Nunes Batista joined YouTube in 2013 and became popular for his comedy videos
Whinderssonnunes / YouTube

15/15 Ariana Grande
US singer and actress Ariana Grande is the latest addition to the top 15 YouTube channels
AFP/Getty

The Stauffers would not have got rid of a child they had put up for display so publicly if they were not absolutely sure the child was better off without them.
Despite the trauma his disappearance from their life will cause the child and perhaps their other children, they did absolutely the right thing. I’m not a psychiatrist but I use the world “trauma” confidently here because as a mum I see every day the trust a child has in its parents and I can’t think of a greater horror than betraying that trust. They should never have adopted a child. They should never have created an online world portraying themselves as the perfect parents. They ended up believing it, and little Huxley was the one to suffer.

Tempemail , Tempmail Temp email addressess (10 minutes emails)– When you want to create account on some forum or social media, like Facebook, Reddit, Twitter, TikTok you have to enter information about your e-mail box to get an activation link. Unfortunately, after registration, this social media sends you dozens of messages with useless information, which you are not interested in. To avoid that, visit this Temp mail generator: tempemail.co and you will have a Temp mail disposable address and end up on a bunch of spam lists. This email will expire after 10 minute so you can call this Temp mail 10 minute email. Our service is free! Let’s enjoy!