Quibi is partnering with the BBC on international news show for millennials – gpgmail


The BBC and Quibi are partnering to make a new daily international news show for millennials.

The two companies said that the new programming, which will be featured as part of Quibi’s “Daily Essentials” programming, will be filmed in the Beeb’s central London headquarters five days a week and each segment will be five minutes long.

The show aims to catch viewers up with all the news from around the world in five minutes, according to the two companies.

“Since the BBC began life as a start-up in 1922 we have been focused on two things: innovating to reach our audiences in new ways; and providing trustworthy news and entertainment of the highest quality,” said BBC Global News chief executive, Jim Egan in a statement. “Technology is changing constantly, as is the world at large and we’re delighted to be working with an innovative new player like Quibi to bring young audiences a daily made-for-mobile global news update of the highest quality from our unparalleled network of international correspondents and experts.”

The BBC also has news programming distributed on Snap and Facebook’s Instagram. So the company seems to be covering its bases to ensure it doesn’t miss out on the potential next big thing in media platforms.

“BBC News is one of the most respected news brands around the globe, and in particular for millennials in America today,” said Jeffrey Katzenberg, founder and chairman of the board of Quibi. “We’re proud to partner with them to create a daily international news report for Quibi.”

The deal with the BBC follows a July announcement that Quibi had also hooked up with NBC News for programming. As we reported at the time, that deal includes a six-minute morning and evening news show for Quibi’s service.

NBC News also runs a Snapchat news show called Stay Tuned that reaches millions, and recently launched its own digital streaming news network, NBC News Now, delivered through its NBC app.

The mobile-only streaming service is set for an April 2020 launch, and has already announced a big slate of programming from top-tier filmmakers and actors.

Some of the highlights include commitments from filmmakers Sam Raimi, Guillermo del Toro and Antoine Fuqua and producer Jason Blum to create series for the service, plus a show called “Inspired By” with Justin Timberlake.

As we’ve reported, subscribers to Quibi can also expect a show about Snapchat’s founding, an action-thriller starring Liam Hemsworth, a murder mystery comedy from SNL’s Lorne Michaels, a beauty docuseries from Tyra Banks, a Steven Spielberg horror show, a comedy from Thomas Lennon, a car-stunt series with Idris Elba and more.


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The BBC is developing a voice assistant, code named ‘Beeb’ – gpgmail


The BBC — aka, the British Broadcasting Corporation, aka the Beeb, aka Auntie — is getting into the voice assistant game.

The Guardian reports the plan to launch an Alexa rival, which has been given the working title ‘Beeb’, and will apparently be light on features given the Corp’s relatively slender developer resources vs major global tech giants.

The BBC’s own news site says the digital voice assistant will launch next year without any proprietary hardware to house it. Instead the corporation is designing the software to work on “all smart speakers, TVs and mobiles”.

Why is a publicly funded broadcaster ploughing money into developing an AI when the market is replete with commercial offerings — from Amazon’s Alexa to Google’s Assistant, Apple’s Siri and Samsung’s Bixby to name a few? The intent is to “experiment with new programmes, features and experiences without someone else’s permission to build it in a certain way”, a BBC spokesperson told BBC news.

The corporation is apparently asking its own staff to contribute voice data to help train the AI to understand the country’s smorgasbord of regional accents.

“Much like we did with BBC iPlayer, we want to make sure everyone can benefit from this new technology, and bring people exciting new content, programmes and services — in a trusted, easy-to-use way,” the spokesperson added. “This marks another step in ensuring public service values can be protected in a voice-enabled future.”

While at first glance the move looks reactionary and defensive, set against the years of dev already ploughed into cutting edge commercial voice AIs, the BBC has something those tech giant rivals lack: Not just regional British accents on tap — but easy access to a massive news and entertainment archive to draw on to design voice assistants that could serve up beloved personalities as a service.

Imagine being able to summon the voice of Tom Baker, aka Doctor Who, to tell you what the (cosmic) weather’s like — or have the Dad’s Army cast of characters chip in to read out your to-do list. Or get a summary of the last episode of The Archers from a familiar Ambridge resident.

Or what about being able to instruct ‘Beeb’ to play some suitably soothing or dramatic sound effects to entertain your kids?

On one level a voice AI is just a novel delivery mechanism. The BBC looks to have spotted that — and certainly does not lack for rich audio content that could be repackaged to reach its audience on verbal command and extend its power to entertain and delight.

When it comes to rich content, the same cannot be said of the tech giants who have pioneered voice AIs.

There have been some attempts to force humor (AIs that crack bad jokes) and/or shoehorn in character — largely flat-footed. As well as some ethically dubious attempts to pass off robot voices as real. All of which is to be expected, given they’re tech companies not entertainers. Dev not media is their DNA.

The BBC is coming at the voice assistant concept from the other way round: Viewing it as a modern mouthpiece for piping out more of its programming.

So while Beeb can’t hope to compete at the same technology feature level as Alexa and all the rest, the BBC could nonetheless show the tech giants a trick or two about how to win friends and influence people.

At the very least it should give their robotic voices some much needed creative competition.

It’s just a shame the Beeb didn’t tickle us further by christening its proto AI ‘Auntie’. A crisper two syllable trigger word would be hard to utter…




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‘Years and Years’ takes an unsettling look at the next decade – gpgmail


“Years and Years” is an unusual show. It’s a co-production of HBO and the BBC, and in the course of six hourlong episodes, it covers a span of more than 10 years in our near future.

During that time, we see the rise of a terrifying Trump-style politician in the United Kingdom named Vivian Rook (played by Emma Thompson), along with lots more political, economic and technological upheaval. All of this is seen through the eyes of Manchester’s Lyons family — grandmother Muriel and adult siblings Rory, Edith, Daniel and Rosie, plus their spouses and children.

No one in the family is a major power player; they simply watch everything change with a growing sense of dread. That, in large part, is what makes the show effective — it feels true to the experience of trying to get on with your life while the world shifts around you.

On the latest episode of the Original Content podcast, we spend the entire hour reviewing the show. We had some reservations about the finale — which seemed to abandon the strengths of the previous episodes — but even so, we were impressed by the series, and by the way it brought so many of our fears to life.

You can listen in the player below, subscribe using Apple Podcasts or find us in your podcast player of choice. If you like the show, please let us know by leaving a review on Apple. You can also send us feedback directly. (Or suggest shows and movies for us to review!)

And if you want to skip ahead, here’s how the episode breaks down:

0:00 Intro
0:23 “Years and Years” review
30:07 “Years and Years” spoiler discussion


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